Regular price$1,100 CAD
Overall Length: 11" (with Saya/Sheath)
Unsheathed: 10.125" (Blade & Handle)
Blade Material: SK5 High Carbon Steel
Blade Length : 6.5"
Genuine Sting Ray Skin Wrap Handle (Sageo)
Copper and Brass Habaki
Buffalo Horn Handle Pin
Pine Wood Saya (Sheath) decorated with Abalone Shell, Buffalo Horn and Gold Leaf.
Professionally Clay Hardened Heat Treated, to produce a natural Hamon. 59 HRC.
Stainless Steel Chopsticks Included & fitted into the Scabbard Sheath.
Our Japanese Style Tanto Series has been a collaborated effort from Thailand's most talented Swordsmiths.
This gorgeous Japanese designed Aikuchi Tanto Sword has been a work of art from 3 very talented Thai Swordsmiths & Knife Makers in Thailand.
Swordsmith "Mr. A" (Anucha) hand forged the SK5 Steel blade from scratch. Mr. A delivers an exceptional hand forged SK5 steel blade with traditional Japanese finishing touches. He skillfully moulded and shaped the blade, into a 3/4 tapered tang & Tanto blade.
The blade was then professionally heat treated by Master Smith Anuchit Promprakai of Wanaknife. He used a Clay tempering hardening technique to produce the beautiful natural Hamon.
Poom Chongkittiruk finished off the blade by polishing it to enhance the natural contrast of the Hamon and to produce a mirror finish on the spine.
"Mr. A" (Anucha) masterfully completed the handle work, using traditional Japanese techniques. He hand forged and welded the Brass & Copper Habaki. His artistic designs are highlighted in the Saya Scabbard, decorated with oyster shells, buffalo horn and gold leaf paintings. He finished the Saya Scabbard with a unique feature of fitted Stainless Steel Chopsticks that slide into the design seamlessly. His handle work is intrinsically designed, using authentic Sting Ray skin over a Pine Wood base.
Together, this collaborated effort of talented Thai Blacksmiths have created a stunning piece of functional art. Japanese influenced, Thai Made, the crafting of a timeless piece that has a story to tell with every fixture and fine craftsmanship. This is truly a functional conversational piece that will last generations.
*READY TO SHIP* Item (As of July 30). Will be shipped 1-2 week express, and insured included in shipping price.
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Current Made-to-Order Timeline:
Currently, we are experiencing 1-6 months for completion of all handmade orders. Our goal is to have each item ready for shipping ASAP, within 2-8 weeks, Due to covid and our current queue, we are facing 3-12+ weeks delays in some cases. It's always best to check in with us before or after purchasing. We are happy to clarify any questions.
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We are currently experiencing extraordinary shipping delays due to the ongoing COVID situation. Our Free Shipping option has a suggested 7-21 day estimate time. Certain postal services have been delayed 1-6 months. At any rate, once shipped, we are not responsible for any shipping delays, but we're only an email away to assist you with tracking.
Handmade with Love:
All our products are handmade and one of a kind. As such, you may receive a similar but not identical item from us, if our inventory on the listed product is low. As such, the received product may not be 100% identical to the listing, but is 100% unique and crafted just for you. Please allow variations in wood material, steel finish and slight variances in listed specifications.
We gladly accept refunds within 48 hours after purchase. A little buyer's remorse is ok! Once 48 hours have passed from the point of purchase, your money has been securely transferred and we will initiate the custom order. At this point, there will be no refunds granted on handmade custom orders, or any item that has already been shipped.
Once 48 hours have passed, we will start the handmade process of creating your lifetime blade. This includes purchasing domestic & imported materials, paying labour costs to our skilled blacksmiths & craftsmen and completing your item according to our current queue of placed orders. Since our products are made by hand, this requires a lot of soulful labour with meticulous fine honing to complete each product.
Once the handmade process has begun, we cannot offer a refund, as your money will be put towards the creation of your custom handmade item.
As an aside, we have had a few orders where a client has agreed to a 1-6 month manufacturing time, only to back out in the final hour. This leaves us out of pocket and our talented workers not adequately compensated. As such, we have a strict No Refund Policy after 48 hours from point of purchase.
Due to the custom nature of our products, we do not accept returns of any kind. Please purchase with confidence, that you will receive a lifetime product, handmade specifically for your order
Maker's Lifetime Guarantee ensures that any defects on structural integrity will be replaced, free of charge, provided the maker is alive & well.
- Limited to Handmade Custom orders. Excludes mass manufactured items (Shopro/Ironclad axes, Tshirts/Apparel)
- Excludes abuse/usage depending on the situation
- If you're custom wooden handle breaks on a handmade axe for example, we will gladly replace the wooden handle and rehang the head for you. Our steel is designed to last a lifetime, but in the event of an improperly hardened steel, we will replace that as well.
- Shipping costs are kindly asked to be covered by the client in both directions.
- Chipped blade edges and dull knives can be returned for a re-sharpen/re-profile at a nominal cost to cover labour expenses.
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- For a higher expense, we can ship express 2-3 days, or our cheapest option takes 2-3 months. Most ready to ship items will take 7-21 days, with delays seen up to 4-6 weeks. Shopro axes, tshirts & merch all ship within 1-2 weeks and arrive within 1-2 weeks. All handmade orders have individual processing times before being shipped
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Why is my order taking so long!?
- Please consult with our current queue times to get an estimate on how long each individual order currently takes to make. as well as current shipping data. Since all our products are exceptionally handmade with attentive skill by our artisan Thai makers, we don't rush our artists when completing an order. We maintain constant communication between our makers & clients, to ensure a trustworthy and confident service. Want some progress pics? Shoot us a quick email to get an update.
Why is Shipping taking forever!?? Looks like the package hasn't moved since it left Thailand!
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A tantō (短刀, "short sword") is one of the traditionally made Japanese swords (nihonto) that were worn by the samurai class of feudal Japan. The tantō dates to the Heian period, when it was mainly used as a weapon but evolved in design over the years to become more ornate. Tantō were used in traditional martial arts (tantojutsu). The term has seen a resurgence in the West since the 1980s as a point style of modern tactical knives, designed for piercing or stabbing.
The tantō is a sword, but is used as a knife. The blade is single or double edged with a length between 15 and 30 cm (1 Japanese shaku). The tantō was designed primarily as a stabbingweapon, but the edge can be used for slashing as well. Tantō are generally forged in hira-zukuri style (without ridgeline), meaning that their sides have no ridge line and are nearly flat, unlike the shinogi-zukuri structure of a katana. Some tantō have particularly thick cross-sections for armor-piercing duty, and are called yoroi toshi.
Tantō were mostly carried by samurai, as commoners did not generally wear them. Women sometimes carried a small tantō called a kaiken in their obi primarily for self-defense. Tantō were sometimes worn as the shōtō in place of a wakizashi in a daishō, especially on the battlefield. Before the advent of the wakizashi/tantō combination, it was common for a samurai to carry a tachi and a tantō as opposed to a katana and a wakizashi.
It has been noted that the tachi would be paired with a tantō and later the katana would be paired with another shorter katana. With the advent of the katana, the wakizashi eventually was chosen by samurai as the short sword over the tantō. Kanzan Satō in his book The Japanese sword notes that there did not seem to be any particular need for the wakizashi and suggests that the wakizashi may have become more popular than the tantō due to the wakizashi being more suited for indoor fighting. He mentions the custom of leaving the katana at the door of a castle or palace when entering while continuing to wear the wakizashi inside.
History of tantō in Japan
The production of swords in Japan is divided into specific time periods:
- Jokoto (ancient swords, until around 900 A.D.)
- Koto (old swords from around 900–1596)
- Shinto (new swords 1596–1780)
- Shinshinto (new new swords 1781–1876)
- Gendaito (modern swords 1876–1945)
- Shinsakuto (newly made swords 1953–present)
Heian to Muromachi
The tantō was invented partway through the Heian period. With the beginning of the Kamakura period, tantō were forged to be more aesthetically pleasing, and hira and uchi-sori tantō becoming the most popular styles. Near the middle of the Kamakura period, more tantō artisans were seen, increasing the abundance of the weapon, and the kanmuri-otoshi style became prevalent in the cities of Kyoto and Yamato. Because of the style introduced by the tachi in the late Kamakura period, tantō began to be forged longer and wider. The introduction of the Hachiman faith became visible in the carvings in the hilts around this time. The hamon (line of temper) is similar to that of the tachi, except for the absence of choji-midare, which is nioi and utsuri. Gunomi-midare and suguha are found to have taken its place.
During the era of the Northern and Southern Courts, the tantō were forged to be up to forty centimeters as opposed to the normal one shaku (about thirty centimeters) length. The blades became thinner between the ura and the omote, and wider between the ha and mune. At this point in time, two styles of hamon were prevalent: the older style, which was subtle and artistic, and the newer, more popular style. With the beginning of the Muromachi period, constant fighting caused the mass production of blades, meaning that with higher demand, lower-quality blades were manufactured. Blades that were custom-forged still were of exceptional quality, but the average blade suffered greatly. As the end of the period neared, the average blade narrowed and the curvature shallowed.
Katana originates from sasuga (刺刀), a kind of tantō used by lower-ranking samurai who fought on foot in the Kamakura period. Their main weapon was a long naginata and sasuga was a spare weapon. In the Nanboku-chō period which corresponds to the early Muromachi period, long weapons such as ōdachi were popular, and along with this, sasuga lengthened and finally became katana.
Momoyama to the early Edo period
Approximately two hundred and fifty years of peace accompanied the unification of Japan, in which there was little need for blades. In this period, both the katana and wakizashi were invented, taking the place of the tantō and tachi as the most-used pair of weapons, and the number of tantō forged was severely decreased.  Since this period, tantō have often been carved with splendid decorations. Of the tantō and wakizashi forged during this period, three masterpieces are called the Nihon santō (Three Blades in Japan).
Late Edo period
There were still a few tantō being forged during this period, and the ones that were forged reflected the work of the Kamakura, Nambokucho, or Muromachi eras. Suishinshi Masahide was a main contributor towards the forging of tantō during this age. There are now only prehistoric tantō being used in combat.
Meiji to present
Many tantō were forged before World War II, due to the restoration of the Emperor to power. Members of the Imperial Court began wearing the set of tachi and tantō once more, and the number of tantō in existence increased dramatically. After World War II, a restriction on sword forging caused tantō manufacture to fall very low. American and European interest in Japanese martial arts since the war created a demand for the tantō outside Japan from the 1960s through the present time.
Types of tantō
- Hira: A very common tantō form with no shinogi, the edge bevels reaching all the way from the edge (ha) to the back (mune) with no separate flats in between, creating an almost triangular cross-section (the back is ridged, as on most other blade forms, so the cross-section is actually an extremely asymmetrical diamond shape; on shinogi zukuri blades it is hexagonal). It is extremely common due to the simplicity of its design.
- Shinogi: This is the most common type of blade geometry for long swords, but tantō made in this form are very rare, usually created from cut-down blades when a longer sword has been broken. Shinogi means the central ridge that runs along the length of the blade between the edge bevels and the body of the blade.
- Osoraku: Osoraku zukuri features an extremely long o-kissaki type point, over half the blade's length.
- Shobu: A common blade type that is very similar to the shinogi zukuri, except that it lacks a yokote, the distinct angle between the long cutting edge and the point section, and instead the edge curves smoothly and uninterrupted into the point.
- Unokubi: An uncommon tantō style akin to the kanmuri-otoshi, with a back that grows abruptly thinner around the middle of the blade, but in the unokubi zukuri it regains its thickness just before the point. There is normally a short, wide groove extending to the midway point on the blade.
- Kanmuri-otoshi: These tantō were shaped in hira or shobu style but from about half way to the tip the back edge was sharpened though this second edge was not particularly sharp. They had a groove running halfway up the blade and were similar to the unokubi style tantō.
- Kissaki-moroha: A rare blade type with a double-edged point. Unlike the later kanmuri-otoshi the tip had a distinct shape unlike any other tanto: the back edge would curve slightly downwards so that the point was lower than the back of the blade whereas other tanto had the point in line with the back of the blade. Often they had a wide groove in the base half. The most well known historical blade of this type is the tachiKogarasu Maru, "Little Crow", one of the National Treasures of Japan.
- Moroha: A rare, double-edged tantō type that has a diamond-shaped cross-section. The blade tapers to a point and contains a shinogi that runs to the point.
- Yoroi toshi or yoroi doshi: tantō that have particularly thick cross-sections for armor-piercing duty.
- Katakiriha: An asymmetric tantō form, sharpened only on one side to create a chisel-shaped cross-section.
- Kubikiri: A very rare type; the sharpened blade is on the inside curve rather than the outside. It has no sharpened point, making it difficult to use in battle and enshrouding the weapon in mystery. Kubikiri can be roughly translated to "head cutter". According to one myth, they were carried by attendants of samurai for cutting off the heads of fallen enemies. There are other speculations existing about the kubikiri's possible uses. Perhaps they were used by doctors or carried by high-ranking officials as a badge is worn today. They could also have been used for cutting charcoal or incense, or used as an artistic tool for pruning bonsai trees.
- Hochogata: A tantō form that is commonly described as a short, wide, hira. The hochogata was one of the blade type that the legendary swordsmith Masamune favored.
- Aikuchi: The aikuchi is a tantō koshirae where the fuchi is flush with the mouth of the sheath. There is no handguard. Aikuchi normally have plain wooden hilts, and many forms of aikuchi have kashira that are made from animal horns.
- Hamidashi: The hamidashi is a tantō koshirae that features a small handguard.
- Kaiken tantō: The kuaiken (also kwaiken or futokoro-gatana) is a generally short tantō that is commonly carried in aikuchi or shirasaya mounts. It was useful for self-defense indoors where the long katana and intermediate wakizashi were inconvenient. Women carried them in the obi for self-defense and rarely for jigai (ritual suicide). A woman received a kaiken as part of her wedding gifts.
- Fan Tantō: The fan tantō is a common tantō with a blade entirely concealed within a fan-shaped scabbard. The blade was usually low quality, as this tantō was not designed to be a display piece, but rather a concealed weapon for self-defense.
- Yari Tantō: Japanese spearheads were often altered so that it became possible to mount them as tantō. Unlike most blades, yari tantō had triangular cross-sections.
- Ken tanto: This is also not truly a tantō, though it is often used and thought of as one. Ken were straight, double-edged blades often used for Buddhist rituals, and could be made from spearheads that were broken or cut shorter. They were often given as offerings from sword smiths when they visited a temple. The hilt of the ken tantō may be found made with a vajra (double thunderbolt related to Buddhism).
- Modern tantō: Modern tactical knives have been made by knife makers Bob Lum, Phill Hartsfield, Ernest Emerson, Allen Elishewitz, Bob Terzuola, Strider Knives, Harold J. "Kit" Carson, Benchmade, Camillus Cutlery Company, Spyderco, Severtech, Ka-Bar, SOG Knives, Columbia River Knife & Tool, and Cold Steel. These "American Tantō" designs which are often folding knives, feature a thick spine on the blade that goes from the tang to the tip for increased tip strength. The handle shape may be altered slightly to provide better ergonomics.
Use in martial arts
Tantō with blunt wooden or blunt plastic blades are used to practice martial arts. Versions with a blunt metal blade are used in more advanced training and in demonstrations. Martial arts that employ the tantō include:
A tantō forged by Minamoto Kiyomaro. (left) Tantō mounting. (right) Late Edo period.
Hilt (tsuka) and handguard (tsuba) of tantō. Late Edo period.
Edo period yari (spear) tantō in koshirae. A spearhead converted to use as a tantō.
Edo period yari tantō. A yari (spear) converted to use as a tantō.
A tantō disguised as a fan
Ken tantō, a double-edged straight sword in wooden mounts "shirasaya".
Edo period tantō with an aikuchi mounting.
- ^ abThe samurai sword: a handbook, John M. Yumoto, Tuttle Publishing, 1989 P.47
- ^Handbook to life in medieval and early modern Japan, William E. Deal, Oxford University Press US, 2007 P.161
- ^The Development of Controversies: From the Early Modern Period to Online Discussion Forums, Volume 91 of Linguistic Insights. Studies in Language and Communication, Author Manouchehr Moshtagh Khorasani, Publisher Peter Lang, 2008, ISBN 3-03911-711-4, 978-3-03911-711-6 p.150
- ^The Complete Idiot's Guide to World Mythology, Complete Idiot's Guides, Authors Evans Lansing Smith, Nathan Robert Brown, Publisher Penguin, 2008, ISBN 1-59257-764-4, 978-1-59257-764-4 P.144
- ^Styles in the Shape of Blades
- ^ abThe Japanese sword, Kanzan Satō, Kodansha International, 1983 P.68
- ^Shotokan's Secret: The Hidden Truth Behind Karate's Fighting Origins, Bruce D. Clayton, Black Belt Communications, 2004 P106
- ^The Japanese sword, Kanzan Satō, Kodansha International, 1983 P.68
- ^Clive Sinclaire (1 November 2004). Samurai: The Weapons and Spirit of the Japanese Warrior. Lyons Press. pp. 40–58. ISBN .
- ^トム岸田 (24 September 2004). 靖国刀. Kodansha International. p. 42. ISBN .
- ^Satō, Kanzan (1983). Joe Earle (ed.). The Japanese sword; Volume 12 of Japanese arts library. Kodansha International. pp. 62–64. ISBN .
- ^歴史人 September 2020. p40. ASIN B08DGRWN98
- ^List of terms related to Japanese swords "Sasuga". Nagoya Japanese Sword Museum Touken World.
- ^ abSatō (1983) p. 68
- ^崇高なる造形－日本刀 名刀と名作から識る武士の美学－. Bijutsu techō
- ^Sinclaire, Clive (2004). Samurai: The Weapons and Spirit of the Japanese Warrior. Globe Pequot. p. 59. ISBN .
- ^ abSteele, David (1981). "Japanese Daggers". Black Belt. Black Belt, Inc. 19 (2): 55–60.
- ^Unusual tantō
- ^Pacella, Gerard (2002). 100 Legendary Knives. Krause Publications. pp. 124–126. ISBN .
- ^"American Tanto - Blade Geometry Knife FAQ". faq.customtacticals.com. Retrieved 27 May 2014.
Dagger (aikuchi) and scabbard - A Japanese dagger with a reworked European blade
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‘Non-Commercial purposes’means not intended for or directed toward commercial advantage or private monetary compensation. For the purposes of this licence, ‘private monetary compensation’ does not include the exchange of the Information for other copyrighted works by means of digital file-sharing or otherwise provided there is no payment of any monetary compensation in connection with the exchange of the Information.
‘Use’as a verb, means doing any act which is restricted by copyright or database right, whether in the original medium or in any other medium, and includes without limitation distributing, copying, adapting, modifying as may be technically necessary to use it in a different mode or format.
‘You’means the natural or legal person, or body of persons corporate or incorporate, acquiring rights under this licence.
About this Licence
The Royal Armouries has adapted this licence from the Non-Commercial Government Licence developed by the Controller of Her Majesty’s Stationary Office. The Controller may, from time to time, issue new versions of the Non-Commercial Government Licence. However, you may continue to use Information licensed under this version should you wish to do so.
Further context, best practice and guidance can be found in the UK Government Licensing Framework section on The National Archives website.
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